
concrete, blackboard paint, lock and chain, wheels. chalk and wet sponge.
Interactive sculpture developed for a group exhibition in Berlin-Marzahn. Before the exhibition the group talked about fears related to exhibiting in a neighbourhood that is predominantly white working-class and far away from Berlinโs art scene. Is art injected or exposed in such a place? Does a sculpture have a chance of being perceived as anything other than an alien threat or something the artists made and put here before they left back to where they came from?
During the exhibition visitors were invited to draw on the sculpture with chalk.